Frosted Buckskins


I am still sorting through some of the old photos I have, trying to remember what has been posted (as opposed to “meant to post but never did”). If I repeat something, please forgive me - though I would imagine that if after three years I cannot remember posting about a subject, maybe readers have forgotten it, too!

Recent conversations about flaxen-maned bays reminded me that I had meant to post these pictures of buckskins with frosted manes and tails. As the photo above shows, the hairs are pale flaxen or white. It is harder to tell because the pulled mane on this Paint gelding is so short, but most of the time the pale hairs are short, which gives the mane a frosted look. Pale hairs are also seen at the tailhead. This next picture shows the distinctive “V” shape that is typical of the frosting on a buckskin’s tail. This shot also shows more clearly how the white on the mane is concentrated at the base of the neck.


The frosting on the tail looks quite different from that kind often seen on duns. With a dun, the paler hairs are usually found on the sides of the tailhead, in part because the dark pigment of the dorsal usually runs down the core of the tail.


Both frosting on buckskins and on duns looks a bit different from the white “coon tail” seen on some of the white ticking and sabino patterns. With this picture you can see both the paler hairs to the sides of the tail (relative to the deep red dorsal stripe) and the white hairs that are part of the patterning.


Frosting is more common in duns than in buckskins, but it is not always pronounced. This dun mare has very little contrast – just a few paler hairs – between the core of her tail and the sides.


So what causes frosting on a buckskin? Most likely it is the Cream (Cr) gene turning what would be paler red guard hairs to a pale flaxen or white. This photo shows the similarity between the arrangement of the pale hairs on a light bay and those on a frosted buckskin.


Here is the same bay Paint Horse mare that is pictured above. She has the reduced intensity at the points that is often seen on bays with paler hairs at the base of the mane and tail. If you look closely, you can see the lighter hairs at the base of her mane, too. (Unfortunately she was always on the wrong side for the sun, so none of the photos taken from her other side turned out.)


I suspect that selecting for this kind of clear bay with reduced black points would increase the contrast on the frosting of both buckskins and duns. That is probably why frosting is so typical of the Fjord. That breed appears to carry almost every factor that might reduce black points.

The downside of frosting on buckskins is that is does not appear to be permanent. As the horses age, they seem to lose the contrast until their manes and tails are black. At least, that has been my observation based a limited number of individuals. Certainly if a reader has an older buckskin that still has pronounced frosting, I would love to hear from them!

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Some new research into blue eyes and KIT mutations

A tobiano pony with partially blue and partially gold eyes (cause unknown)

A year ago I posted expressing my doubts about the theory that blue-eyed horses with KIT mutations (tobiano, sabino and the white spotting patterns) must carry an additional mutation to account for their eye color. At the time, I did not think that there was enough evidence to merit the absolute terms that were often used regarding this theory. It is also true that, having tracked so many instances of blue eyes in the patterns in question, I thought the weight of probability favored the theory that the blue eyes were part of at least some of these patterns and not always a separate mutation. At the time I wrote:

The common theory in horses is that these W-series horses must have a splash mutation as well. And they may. Certainly there are far more mutations for white patterning than previous expected. I have long thought that the numbers of blue eyes on the dominant whites, particularly among the founder horses (ie., the horse that carried the initial mutation) were just too high for them all to happen to have a splash mutation as well. I did not have an exact number, though – just a sense that it was high. But the new sort gave me a number – six of twenty.

The argument that KIT mutations are “incapable” of producing blue eyes is based on information about how pigment is formed in the eyes of mice. I found the theory difficult to evaluate because the passages referenced by its supporters do not deal directly with eye color in horses, and I simply do not have the deep level of understanding of eye structure necessary to extrapolate beyond the specific subject, which was not the absence of blue eyes but the presence of dark eyes in a particular mouse color.

But perhaps more importantly, I just wasn’t sure that mice and horses were the same in this regard. In fact, I just wasn’t sure that eye color in various mammals might not be different in significant ways, just as other aspects of coloration vary between species. In that same post, I included a picture of what was then a newly-identified KIT mutation in dogs – the panda pattern in German Shepherds. I found the blue eyes on the founding dog particularly compelling because in dogs blue eyes are not generally associated with the common forms of white patterning, despite the fact that the mutations for most of those patterns have been found on MITF, which those of us more familiar with horses think of as the “splashed white” gene.

It seemed to me that these blue-eyed (KIT) German Shepherds, and the more common dark-eyed “irish marked” (MITF) dogs were a pretty good argument that when it came to eye color, there was probably some variation from the mouse model.

The same pony, with one predominantly blue and one
predominantly gold eye (and an occluding spot over his blaze)

Some time after that post was made, I ran across a paper on Blue-Eyed White (BEW) alpacas. In that paper, the blue-eyed white phenotype was linked to the presence of two mutations to KIT. The alpacas, which were uniformly blue-eyed, were compound heterozygotes for two different white patterns (bew1 and bew2), both located at KIT. Since that time I have been able to confirm with one of the researchers that there were no mutations at the sites associated with splashed white in horses that could be correlated with the blue eyes on these alpacas.

Then just this month a paper was published linking the blue-eyed white phenotype in cats – called Dominant White (W) – to a mutation on KIT. In that study, the authors were quite clear about the connection between KIT and blue eyes.

In the population sample, we were also able to examine the correlation between genotype at the W locus and iris color. An individual that is homozygous W is much more likely to have blue iris, exhibiting odds 77.25 times larger than the odds of having blue irises of a genotype other than W/W (p < 0.0001).  An individual that is heterozygous (W/w+) also demonstrates increased odds of having blue iris (OR=4.667), four times larger than the odds of having blue irises of a genotype other than W/w+ (p=0.046) The odds of having blue irises of a wild type individual is 0.

With those two studies seeming to cast considerable doubt on the “Never From KIT” theory, I decided to contact one of the corresponding authors with some questions in hopes of getting a better understanding of this topic and of eye color in general. What I was told was that eye color is most likely a polygenic trait, and that it really does depend on the species, as well as the specifics of each particular mutation to KIT. That could explain why some KIT mutations are more prone blue eyes than others, as well as why there appears to be a higher incidence of blue eyes in homozygotes of some patterns.

On this eye, the blue and gold portions are interspersed in such a way that the colors appear softly blended

On this eye, there are fewer flecks of blue, as well as irregular patches of dark brown

So why does it matter if KIT mutations can produce blue eyes alone, or if they need a splashed white mutation? What purpose does this kind of information serve? The fact is that knowing the cause can help breeders more reliably get the outcome they desire, whether they wish to breed for or select against blue eyes. Likewise, breeders seeking to produce – or avoid – the splashed white phenotype need to know if blue eyes are always significant. If it is possible for some of the other patterns to produce blue eyes independent of a splashed white patterns, then assembling a herd of blue-eyed tobianos in hopes of developing a line of splashed whites is going to ultimately prove frustrating.

It is also true that quite a few blue-eyed horses have come back negative for the known splashed white patterns. It is likely that some of them have as-yet-unidentified splashed patterns. However, if some have blue eyes that are just a less common aspect of a pattern that is already identified, then knowing this could spare their owners time and money spent looking for something that is not really there. So while the subject is quite technical, it really does have a very practical aspect.

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The new full-color book is officially released


The blog has been quiet for far longer than I intended while I worked to get the most recent book to press. I would like to say that the above image of the orderly edits was really what my workspace looked like these last few months, but that is actually my first-line-of-defense editor (otherwise known as my husband) at work. This is what my work area looked like. Sad to say, that’s actually more tidy than my office library looked at the time.


But the book is now finished and available to purchase by clicking the link on the right. At the moment, that takes you to the paperback version. There is a hardcover version as well, but it is running a few days behind. Both versions will also be available through online booksellers (Amazon and Barnes and Nobles) as well, though it normally takes a few days for a new book to be added to their sites. (Taming the explosion of paper across my house is still a work in progress…)

As the sample page below shows, this time around the book is in full color. That was not possible with Print-On-Demand (POD) when I published my first book in 2012. For that reason, a lot of compromises had to be made when presenting material in that first book, because obviously some ideas just would not translate without color photos. When affordable color printing came online last year, I began working on a revised edition of the front portion of the first book. Those that have Volume I: Draft and Coaching Breeds know that the book is divided into two parts: a section that explains the colors themselves and a section that is about the colors found in the specific breeds. Because color images were more important to that first section, I originally envisioned this current book as a color supplement to the series, with updates on the research that had occurred since it was first published. However, the temptation to expand the original text was irresistible. I had come across so many interesting things in the years since, particularly regarding colors and patterns that were only mentioned in passing in the original. And then there were the many people who offered wonderful photos of rare colors. By the time it was all done, very little of the original was left.


So rather than a supplement, it would be more accurate to say the new book is both a stand-alone text on horse color, and the opening book for the Equine Tapestry series. I will be releasing Volume I in full color, and I will finish out the remainder of the series in full color. The new Volume I will contain the Draft and Coaching Breeds, as before, as well as the two groups of breeds that were dropped when the first book became too large. Those were the Light Draft Breeds and the Harness Racing Breeds. So the new order of the series (all full color) will be the Introduction, then Volumes I through IV.

Here is the cover for the Introduction, which is the book that is currently available.


These are the tentative covers for Volume I (Draft and Coaching Breeds) and Volume II (Ponies and Small Horses). It is my hope to have the replacement Volume I go to press by early 2015.


Because it will eventually be replaced by the new Introduction and Volume I, the black-and-white book (published in 2012) will go out of print in the next month or so. It is likely that some of the material in the older book will not be included in the new books, particularly some of the historical photos. The printing process used for the full-color books (and especially for the hardcover versions) requires a higher-quality image, and some of the older photos will not translate well. I may also have to drop some of the extinct breeds like the Nivernais if space becomes an issue, so the old and new Volume I books may not have the exact same material.

Hopefully I have not managed to make this too confusing. I am still in the process of adding a shopping cart to this site so that books can be ordered directly, but as soon as that is done this blog should return to its more active state. I also have to apologize for the tremendous backlog of comments which need approvals or replies. My email inbox is, quite sadly, even more neglected. Because sustained focus is not exactly my strong suit, I have yet to find a way to write without restricting my attention to book work so everything else is woefully behind. I will likely be playing catch-up for a while, but I promise I will respond – if rather belatedly – to everyone.

And finally I want to thank all the readers that contributed to the current book. Whether it was in the form of questions, or shared insights, or rare photos, readers here helped make the new book better than it might have been had I done it all alone. Because I truly hate to impose on others, I find it hard at times to reach out and ask for assistance. The help that so many offered at the various stages of this project has made me all the more determined to overcome that tendency in the future.

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